“The Third Reich” (Farrar, Straus, & Giroux) (2011)
Every now and again, the literary and/or publishing worlds discover or rediscover an author, living or dead, whose writings are so exceptional that they change the way we read, understand the world, and reexamine the act of writing itself. Three or four years ago, I read Roberto Bolaño’s Savage Detectives, in which this recently dead […]
February Book Review
Every month, ÆQAI will be presenting one book review, generally contemporary fiction, for our readers’ edification and enjoyment . A lot of back and forth occurs between and amongst novels, the world of film, and visual culture in general. We begin this series with Love and Shame and Love, a novel by Peter Orner (Little, […]
Best Fiction of 2011
The year 2011 in new fiction began as bleakly as any in recent memory. By the end of summer, only two or three novels seemed even to be somewhat good – and we need to watch literary/politically correct trends, to make certain we’re not simply reading what’s been declared good for us/for the victimized but […]
Statements
The Artists of “Narrative Figuration” discuss their work. Editor’s Note: Because Daniel Brown is both Editor of Aeqai and the guest curator for the exhibition “Narrative Figuration” at The Weston Gallery in the Aronoff Center, it is Aeqai’s policy that our reviewers not review his shows. Therefore, we have asked the five artists in the […]
Ghost Clouds
Ted Borman at The Miller Gallery Ted Borman’s astonishing new paintings, Ghost Clouds, are his most evolved work to date. They manage to combine rich references to art history and to contemporary popular culture wittily, intelligently, and seamlessly. Selecting a deliberately faux-naif painting style, Borman’s work is reminiscent of other artists prone to radical reductionism and […]
Todd Reynolds
At The Weston Gallery Todd Reynolds’ oils’ and watercolors’ most salient contemporary features depict an America in which chronic violence is implied, hope is in abeyance. His quasi-narrative, usually large scale paintings rip the niceties and pieties off of middle class life, portraying, instead, a near-Surreal world of low-life characters, drug-induced or -inspired people in […]