Fairs and Affairs: The Availability of Pleasure “Paris 1900: The City of Entertainment” at the Cincinnati Art Museum, March 1-May 12, 2019
The visual richness of Paris during the Belle Epoque would have followed people wherever they went, even out of doors. Posters must have been everywhere, depicting products for sale and announcing events and attractions both large and small on lithographed newsprint affixed to walls, fences, and kiosks specially designed for the purpose. The marketing of […]
Review: The Armory Show 2019
This year’s iteration of The Armory Show marked its 25th anniversary, placing a considerable amount of pressure on Director Nicole Berry to execute the event at the level stakeholders in the art world have come to expect. First launched in 1994 at the Gramercy Park Hotel, The Gramercy International Art Fair has morphed into New […]
The Womanist Movement: Bridging the Gap
March is nationally celebrated as Women’s History Month. In keeping with its stated mission of eliminating racism and empowering women, the Greater Cincinnati YWCA has mounted an exhibition encompassing the expressive works of nine local women who examine their own attitudes of identity, entitlement and personal experiences of victimization. The exhibiting artists are: Yvonne van […]
From the “California Ideology” to Tiqqun’s “Total War:” Tracing net.art’s Archival Poetics
As a researcher, theorist, and something of a contemporary continental philosophy-bent author in, my interests in new media theory, film studies, and comparative media are necessarily political, often siding with a turn towards “speculative realism,” Quentin Meillassoux’s “correlationism,” or François Laruelle’s “non-standard philosophy” at the expense of affect theory or those “poetics” that salvage media […]
Profile of Ena Nearon Menefield
“Cincinnati is a good city for creating a place for yourself,” Ena Nearon Menefield, who has been here since 1996, says. Her own background, as a woman of color, makes her an experienced judge in such matters. Originally from New York City, the place where she raised her children, and later resident in California, she […]
Both Ends of the Brush: “Winslow Homer to Georgia O’Keeffe: American Paintings from the Phillips Collection” at the Taft Museum of Art, February 9-May 19, 2019
High modernism is well over a century old by now, and its roots are even older. How could that even have happened? The Phillips Collection in Washington D.C. was the first American museum devoted to modern art, opening in 1921, some eight years before MOMA. Though the title of the loan show at the Taft […]
The Window of Clarity: Eric Hatch’s “Faces of Addiction"
Award-winning writer and photographer Eric K. Hatch has made his reputation by focusing on landscapes and the built environment. So when an acquaintance who lost a son to an overdose encouraged him to address drug addiction, he at first hesitated, feeling unprepared to take on such a project. Yet after a meditative cross-country trip and […]
Close Reading: Proximity of Syllables by Migiwa Orimo at the Weston Gallery
A pair of curtains adorned with a large set of parentheses hung at the entrance to the exhibit “Proximity of Syllables” at the Weston Gallery make a pronouncement: as you pass through, you are entering a space of meaning made not by what is directly stated, but by what is implied, unsaid, sidelined, redacted, absent, […]
“Art Academy of Cincinnati at 150: A Celebration in Drawings and Prints,” Cincinnati Art Museum, through April 28, 2019
If there were any question about the importance of the Art Academy of Cincinnati (AAC) or the quality of its teachers and students, the thoughtful “Art Academy of Cincinnati at 150: A Celebration in Drawings and Prints” at the Cincinnati Art Museum (CAM) puts that to rest. The exhibition presents 90 drawings and prints by […]
On a Certain Tendency of Contemporary Installation Art
British installation artist Alex Hibbitt’s Rhizome: Falling (2018) has traversed numerous gallery locales throughout the States in the last few years and hangs, suspended and static, in the Weston Gallery’s atrium ceiling. The work – a horizontal web of variegated materiality and form – while weighty, sputters a certain recherché of the ethereal, culling to […]