Performing Masks: Gillian Wearing at Cincinnati Art Museum

Masks serve multiple metaphorical and social functions in the world. In ancient Rome, wax masks were cast directly from the faces of the dead, preserving the countenance beyond the life of the body. Ritual societies often employ masks spiritually, transforming the wearer into a being from the spirit world as part of a rite of […]

Reverent Encounters: "Re-Adorned" | Catharsis at the Cincinnati Shakespeare Company

Tucked into a passageway on the second floor of the Cincinnati Shakespeare Company’s new building, re-Adorned | Catharsis displays the lavish results of collaboration among artistic specialties and diverse media. Photographer Tina Gutierrez and clothing designer Da’Mon R. Butler (a.k.a. NOMAD3176) mix cultures and materials in ways both delicate and flamboyant, bringing her Cuban-Appalachian sensibilities […]

Preservation Par Excellence: Union Terminal Restored For Posterity

One of America’s most architecturally significant buildings will be reopening in November after a substantial $230 million restoration by GBBN Architects: Cincinnati’s Union Terminal.   Completed in 1933 at the height of the Great Depression, this Art Deco palatial masterpiece was dedicated to passenger railroad transportation and travel at a scale in size and exquisiteness, with […]

From Heart to Brush

Collecting Calligraphy: Arts of the Islamic World Cincinnati Art Museum  September 7, 2018–January 27, 2019   Long before the Middle East came into the political spotlight in recent decades, the Cincinnati Art Museum has been collecting Islamic calligraphy. It has done so since the 1940s.  While Islamic calligraphy was originally developed to nourish and enlighten […]

Outside In: Chris Engman’s Prospect and Refuge at the Weston

Chris Engman’s Prospect and Refuge teaches us not to trust our eyes. On display at the Alice F. and Harris K. Weston Art Gallery through November 18, the exhibit unsettles our senses of depth and scale, interior and exterior, origin and reproduction. It ushers us into artificial spaces and then immerses us in the tropes […]

As American as Whale Oil: “Loomings” by Christopher Volpe

In high school and college classrooms, Herman Melville’s 1851 novel “Moby-Dick, or, the Whale” is commonly used to illustrate Romantic and Naturalist themes. While it’s because of Keats that I picture Romanticism as a gasping tendon writhing under the holiness of the heart’s affections, my image of Naturalism—an ocean wave indifferently carrying us, screaming, an […]