Escape from the Convent School Tower: On Remedios Varo’s 1960-61 Triptych

Mother Superior and her creepy bearded henchman have come to retrieve the septet of uniformed captives from their human beehive. It is time for the girls to go to work. As always, mysterious hypnotic forces compel them to mount their bicycles, starry-eyed, and follow their captors towards the tower. The tails of their habits become […]

The Places You’ll Go: The Art of Walking

During this time of the pandemic, in addition to reading, what I have been doing a lot of is walking. Every day, sometimes going two or even three times, just for the purpose of getting out of the house, getting some space to think or reflect. A change of scenery at a slow pace. An […]

Art Acquisitions

What goes into acquiring art institutionally?  Aeqai takes a look at the Cincinnati Art Museum and the Skirball Museum at Hebrew Union College – Jewish Institute of Religion. Cynthia Amneus, curator, fashion arts and textiles at CAM, is an expert in acquisitions which can be gifts or purchases.  Sometimes, a curator will receive a call […]

A Salome Like No Other: Reflecting on Gustave Moreau’s Salome (Salome Dancing Before Herod)

Damn. I should take drugs when I paint.  Look at French painter Gustav Moreau. He must have taken something to make these mind-bending paintings in the 1800’s. I know contemporary painter Peter Doig takes drugs because he admitted so, figures; his paintings are breathtakingly hypnotic, mystical, irrationally emotional and compelling.  But Moreau?  He’s dead. We […]

Summoning the Ghost in R. A. Blakelock’s “Moonlit Lake”

“These capricious vagabonds fly somewhat in the manner of bats,” Camille Flammarion wrote in 1872[1], “which seem to dive at the turrets, and suddenly turn back, describing a parabola, to vanish in an unexpected direction.” Although the French astronomer was describing the movement of comets through the cosmos, he may as well have been describing […]