Curious George

“A Fine Line” at Malton Gallery Richard Allan George might be one of the most remarkable painters that you’ve never heard of. Born in Chicago

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Carmel Buckley’s Universe

Carmel Buckley’s slice of the universe is filled with sheer unlimited creativity, topped, like the traditional cherry on a sundae, with surprises, as if the

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Speed Trials

“Speed Trials” was an essay commissioned for the catalog accompanying the exhibition “Trial by Fire: New Glass Work by Darren Goodman” at the Cincinnati Art

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The Painter’s Table

The Painter’s Table, a blog  which covers painting exhibitions nationally, has chosen four of AEQAI‘s columns in four months: Sheldon Tapley’s review of the Weston

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Glass Ceiling? Guess Not

The paintings that mark a gradual return to across-the-board contemporary art at Marta Hewett Gallery, where glass objects have held the floor, are themselves almost

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Island Reflections

“We’re the reflections of our ancestors / we’d like to thank you for the building blocks you left us / ‘cause your spirit possessed us”

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Take It Off

Manifest Gallery’s “3rd Annual NUDE” international competition showing through September 9, offers more than the vast undulating landscape of skin to be considered. The subjects

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Pointedly Perfect

“The Art of Charlie and Edie Harper in Needlepoint Exhibit” is exactly that.  Charming and humorous, exquisitely designed and perfectly executed, each of these renditions

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Thunder-Sky’s the Limit

“Hard Knocks:  Art without Art School” is a loosely curated collection of more than one hundred works of art by thirty-one artists from around the

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In Company with Angels:

              Seven Rediscovered Tiffany Windows Louis Comfort Tiffany (1848-1933) has been a crowd-pleaser for decades (except for the period

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Fun Between the Covers

Books. From the tiniest , “Musical Boxes” by Mark Palkovic measuring  a mere 1” X 1 1/2”, to the largest, also qualifying as the most

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The Sorcerer’s Apprentice

Harry Reisiger at The Phyllis Weston Gallery Clement Greenberg once said that “the superior artist is one who knows how to be influenced” and the

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Ode to Trendiness

Initial Impression:  Darkened rooms, interestingly arranged for multi-screened film projections.  Walls and partitions simultaneously displaying black and white events. A slim man scatters a white

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It’s Oh So Quiet

                    Andre Alves’ Mute Motives at Semantics In the late1950s and into the 1960s, the philosophies

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