March Issue of Aeqai Online

The Cincinnati Art Museum features two wonderful groundbreaking exhibitions. “Working Together: The Photographers of the Kamoinge Workshop” revisits the shared work and philosophy of the

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February Issue of Aeqai Online

As February brings the spring rain, we at Aeqai are offering several excellent reasons to tap regional exhibits. This month, Barbara Moss writes about exciting

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January Issue of Aeqai Online

Greetings in 2022! A new beginning on many fronts.This month, Aeqai is offering several excellent reviews of regional shows for our readership to consider. The

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But the Box has 6

Manifest Gallery’s current exhibition The Five Themes Project is an expansive undertaking; not unlike re-inventing the Whole Earth Catalog. This time, however, it’s not about

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Lyrics in Vases

Kwan Jin Oh’s “Emptying and Filling”, on view at Kate Oh Gallery from January 1 –  30, 2022, teeters on intermedia, balancing formal prowess with poetic lyricism.

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Vasily Kandinsky: Around the Circle

Abstractionism—think Kandinsky—denied representation altogether, but assumed all the conventions of pictorial space, hence the nonrepresentational use of color, line, form, and so on. J.M. Bernstein,

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Drawing Every Day

In 1970, I started my first year in the MFA program at the University of Cincinnati. The MFA studios were at that time in old

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November Issue of Aeqai Online

This month’s reviews offer a fresh variety of regional features and reviews. Laura Hobson’s interview with CEO Scott Altman highlights the exciting developments within the

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The Taft Museum: In a New Light

In early June 2021 a Cincinnati treasure, the 200-year-old Taft house, closed for a year of renovations. Approximately 80 of the collection’s seminal works can

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A History of Protest

On the Getty Center’s sprawling picturesque campus, one room contains the small but powerful exhibition In Focus: Protest – on view until October 10th. The

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